Advanced Typography | Task 1 ( Exercises )

21.04.2025 - 05.05.2025 ( Week 1 & 3 )

Deadline : Week 4 (12.05.2025)

Taylor's University

Shubashini a/p Subramaniam / 0367697 / Bachelor of Design (Hons) in Creative Media/

Advanced Typography (GCD61004)

Task 1 (Exercises : Typographic System & Type & Play )


Table of Content :

1. Lectures

2. Module Information Booklet

3.Task 1

4.Task 2

5.Feedback

6.Reflection

7.Further Reading


Lectures

Week 1: Typographic System

Figure 1, Mind Map of Typographic System, Shubashini, ( 21/04/2025 )


Figure 2, Mind Map of Typographic Element, Shubashini, ( 21/04/2025 )


1. Axial System 
   - All elements are organised to the right or the left of a single axis.
   - Axis can be any shape ( Swirly line / More than one axis )

Figure 3, The Axial Typographic System:a further look, Mary Louse Jackson ( 21/04/2025 )

2. Radial System

    - Elements are extended from a point of focus

    - Can have multiple points of focus


Figure 4, Example of a Radial System, HOonY Hoon, ( 21/04/2025 )

3. Dilatational System

    - Elements expand from central points in a circular fashion

    - Information can be placed EVERYWHERE around circle. Doesn't have to be a full circle and can              have more than one circle

4. Random System

    - Elements have no specific pattern or relationship

    - There is a method in achieving this look

Figure 5, Example of a Random System, jackywilliams, ( 21/04/2025 )

5. Grid System

    - A system of vertical and horizontal divisions

    - One work can have different sized grids

6. Transitional System

    - Informed system and Layered Bending

    - Bending means to segregate information in different bands. ( Can be different sized bands )

Figure 6, Example of a Transitional System, Type 365 Lucas Czarnecki, ( 21/04/2025 )

7. Modular System

    - A series of non- objective elements that are constructed in a standardised unit

8. Bilateral System

    - All text are arranged in a symmetrical line on a single axis

    - Can have more than one axis

Figure 7, Example of a Bilateral System, Type 365 Lucas Czarnecki, ( 21/04/2025 )

Week 2 : Typography Composition

In the lecture, I learned that most design principles are easier to understand through imagery than through text, though some principles are easier to convey in writing than others.

Figure 8, Mind Map of Design Principles, Shubashini ( 28/04/2025 )

Typographic Systems:

Of the eight typographic systems, the grid system is the most widely used because it’s so versatile. It comes from the letterpress structure and is often associated with Swiss (Modernist) style typography today. During the modernist era, I noticed that asymmetry, dilation, radial patterns, and repetition became more popular.

Other Models / Systems:

  • Environmental Grid: This concept involves exploring existing structures and combining them in a new way. I can arrange text layouts based on real-life structures, like buildings.

  • Form and Movement: This method looks at how existing grid systems can be reimagined to create something unique. It’s like viewing the turning pages of a book as a slowed-down animation. The way forms are placed across multiple pages can create a sense of movement.

Week 3 : Context & Creativity

Handwriting:
The earliest mechanically produced letterforms were created to closely mimic human handwriting. The form and quality of these hand-drawn letters were heavily influenced by the materials and tools used, such as sharpened bones, charcoal, sticks, plant stems, brushes, as well as feather and steel pens.

Figure 9, Mind Map of Importance of Handwritting, Shubashini ( 05/05/2025 )

Local Movements and Individual Creators:
Creativity often starts with careful observation of our surroundings and a deep dive into our shared histories. Designers should reflect on their own cultures, civilizations, and communities—bringing historical narratives into contemporary practice.

Week 4 : Designing Type

2 Reasons for Designing a Typeface (Xavier Dupre, 2007)
  1. Social Responsibility – Type must evolve to improve legibility.

  2. Artistic Expression – Typeface design is a personal creative outlet

Typeface Case Studies

Figure 10, Types of typeface Case Studies, Shubashini ( 12/05/2025 )


Typeface Design Process

1. Research – Study history, anatomy, purpose, and existing fonts.
2. Sketching – Done by hand or digitally.
3. Digitization – Software (FontLab, Glyphs); focus on counter forms.
4. Testing – Prototype, evaluate legibility and readability.
5. Deploy – Address minor "teething" issues post-launch.

Typeface Construction

- Roman Capitals: Use 8×8 grids, circular guides.

- Letter Groups: Capitals vs. Lowercase; consider form/construction.

- Visual Corrections: Align curves/straights and space letters uniformly (“fitting”).

    Context & Creativity in Typeface Design

    The motivation behind designing a typeface can stem from intrinsic or extrinsic factors.

    • Intrinsic motivation arises when a designer is personally driven, either to explore a specific visual form that fulfills their creative vision or to address a problem they’ve identified by creating a new typeface solution.

    • Extrinsic motivation occurs when a designer is working on an assignment, commission, or brief—such as a student completing a project or a professional meeting a client’s requirements.

    Regardless of the source of motivation, a successful designer must be deeply engaged with the concept, fully understand its purpose, and be aware of the limitationspractical usage, and needs of the stakeholders involved.

    Week 5 : Perception & Organization

    Perception in Typography is the way readers visually process and interpret information through contrast, form, and layout. While perception applies to various content types, the focus here is on how these principles enhance clarity and communication in typography.

    Contrast

    Figure 11, Contrast in Typography, Shubashini ( 12/05/2025 )


    Form in Typography

    - Form = Overall appearance and feel of typographic elements.

    - Typography originates from typos (form) + graphis (writing).

    - When manipulated (enlarged, distorted, textured), type becomes visual form rather than just readable text.

    - This adds expression, making typography memorable and engaging.


    Gestalt Principles in Typography

    Figure 11, Gestalt Principle in Typography, Shubashini ( 12/05/2025 )

    Module Information Booklet :   




    Task 1

    Exercises (20%)

    Indesign Process

    Final Work

    The exercises are as follows: 

    (Part 1) - Typographic Systems (1 Week) • Axial, Radial, Dilatational, Random, Grid, Modular, Transitional and Bilateral 

    (Part 2) - Type & Play Part 1 & 2 (2 Week) 


    (Week 1)

    Task 1 / Part 1: Typographic Systems:

    The exercise task is to be done using Adobe InDesign only. Size 200 x 200 mm. In addition to black, you can use one other colour. Graphical elements (line, dot, etc.) can be used but limitedly.

    Export final artworks as JPEG @300ppi; PDF with and without guides (turn on/off guides when saving PDF; turn off spreads when exporting). Compile all 8 systems together for presentation. 

    Figure 12, Initial Sketches, Using Pencil ( 21/04/2025 )


    Indesign Process
    1.Axial System
    Figure 13.1, First 4 Axial Sketches, In Illustrator ( 21/04/2025 )

    Figure 13.2, First 4 Axial Sketches, In Illustrator (Grid) ( 21/04/2025 )

    For the Axial system I wanted to stick with basic design principles such as hierarchy and the Golden Ration. I also tried playing around using with the text's axis, as I tried making it diagonal, vertical, and horizontal lines. I made sure to make the topic big as it would get the viewers attention. I created new guides to follow along to have a nice sharp, crisp and clean look.

    Final 4 Outcome :
    Figure 13.3, Final 4 Axial Sketches, In Illustrator ( 21/04/2025 )

    2.Radial System
    Figure 14.1, First 4 Radial Sketches, In Illustrator ( 21/04/2025 )


    Figure 14.2, First 4 Radial Sketches, In Illustrator (Grid) ( 21/04/2025 )

    For the Radial system I wanted to try creating a hierarchy, from small to big. It took a while to form the words outside the circle, for it to have a more natural look

    Final 4 Outcome :

    Figure 14.3, Final 4 Radial Sketches, In Illustrator ( 21/04/2025 )

    3.Dilatational System
    Figure 15.1, First 4 Dilatational Sketches, In Illustrator ( 21/04/2025 )

    Figure 15.2, First 4 Dilatational Sketches, In Illustrator(Grid) ( 21/04/2025 )

    For the Dilatational system, I took inspiration from things around mw that were round. I imitated the way the letter 'S' curves and the shape of "Mickey Mouse'. I also try to get a hierarchy by reducing the font size.

    Final 4 Outcome :

    Figure 15.3, Final 4 Dilatational Sketches, In Illustrator ( 21/04/2025 )

    4.Random System
    Figure 16.1, First 4 Random Sketches, In Illustrator ( 21/04/2025 )

    Figure 16.2, First 4 Random Sketches, In Illustrator (Grid) ( 21/04/2025 )

    For the Random system, I interpreted the word random into 'multiple elements combined into one'. I found this system the most challenging as it was hard the get a random look when designing it. I made my design by trying to get the viewer to not guess the overall composition.

    Final 4 Outcome :


    Figure 16.3, Final 4 Random Sketches, In Illustrator ( 21/04/2025 )

    5.Grid System
    Figure 17.1, First 4 Grid Sketches, In Illustrator ( 21/04/2025 )

    Figure 17.2, First 4 Grid Sketches, In Illustrator (Grid) ( 21/04/2025 )

    For the Grid system, I tried to make it more interesting by changing the axis of the text in one look page for it to have variations. I created new grids to have even more things to play aroun with. I was inspired by chess to create different coloured squares for a more exciting look.

    Final 4 Outcome :

    Figure 17.3, Final 4 Grid Sketches, In Illustrator ( 21/04/2025 )


    6.Transitional System
    Figure 18.1, First 4 Transitional Sketches, In Illustrator ( 21/04/2025 )

    Figure 18.2, First 4 Transitional Sketches, In Illustrator (Grid) ( 21/04/2025 )

    For the Transitional system, I wanted to imitate nature by getting that wave or smoke effect. It was a bit tricky and hard to get the words to curve as I had planned.

    Final 4 Outcome :


    Figure 18.3, Final 4 Transitional Sketches, In Illustrator ( 21/04/2025 )


    7.Modular System

    Figure 19.1, First 4 Modular Sketches, In Illustrator ( 21/04/2025 )

    Figure 19.2, First 4 Modular Sketches, In Illustrator (Grid) ( 21/04/2025 )

    For the Modular system, I also took inspiration from a chess board. I divided the squares and rectangles to make sure they were similar by creating a new guide. It was interesting to try and make this system more creative ad the limitations were very tight.

    Final 4 Outcome :

    Figure 19.3, Final 4 Modular Sketches, In Illustrator ( 21/04/2025 )


    8.Bilateral System

    Figure 20.1, First 4 Bilateral Sketches, In Illustrator (Grid) ( 21/04/2025 )

    For the Bilateral system, I had a  hard time at first until I could not come up with a single idea that I liked. That was until I cleared my mind and decided to go with my gut and made sure the alignments were neat and standardised.

    Final 4 Outcome :
    Figure 20.2, Final 4 Bilateral Sketches, In Illustrator ( 21/04/2025 )

    (Week 2)

    Task 1 / Part 1: Typographic Systems:

    During week 2, Mr.Vinood checked our progress from last week and gave us some feedback to improve our initial designs.

    1.Axial System
    Figure 21.1, Wrong Axial System Design ( 29/04/2025 )

    My initial final design was entirely wrong, proving my knowledge on the axial system was not strong or deep enough. With the help of Mr.Vinood, I understood it and made some changes to my design. The Axial System is a design that has one axis where the content will be near it.

    Final  Outcome :
    Figure 21.2, Corrected Axial System Design ( 29/04/2025 )

    2.Radial System

    Figure 22.1, Wrong Radial System Design ( 29/04/2025 )

    My understanding of the radial system was proven weak as i learned that the sentence can only be connected with one circle, meaning there can be no paths blocked by another design

    Final  Outcome :
    Figure 22.2, Corrected Radial System Design ( 29/04/2025 )

    3.Dilatational System

    Figure 23.1, Old Dilatational System Design ( 29/04/2025 )

    For the Dilatational system, sir said my design was nice but it seemed like much and it needed to be straight instead or slightly curving. I decided to scrap this idea and go with one from my sketches as even though rejected by sir, I really like it's initial design.

    Final Outcome :
    Figure 23.2, Final Dilatational System Design ( 29/04/2025 )

    4.Random System
    Figure 24.1, Previous Random System Design ( 29/04/2025 )

    For the Random system, sir said it wasn't random enough and I should do something more extreme.

    Final Outcome :
    Figure 24.2, Edited Random System Design ( 29/04/2025 )

    5.Grid System
    Figure 25.1, Previous Grid System Design  ( 29/04/2025 )

    For the Grid system, sir put a lot importance if our designs should be able to stand alone without any decoration, thus making me make the decision to scrap this as it's a weak design without its decoration and choose something strong from my setch. 

    Final Outcome :

    Figure 25.2, Edited Grid System Design ( 29/04/2025 )

    6.Transitional System

    Figure 26.1, Previous Transitional System Design ( 29/04/2025 )

    For the Transitional system, sir said my design is a bit not even and it's position doesn't sit right. I scraped that design and went with something a bit more simple and similar for it to look more natural.

    Final Outcome :

    Figure 26.2, Edited Transitional System Design ( 29/04/2025 )

    7.Modular System

    For the Modular system, my design got approved and sir said he liked how it looked like.

    8.Bilateral System

    Figure 27.1, Previous Bilateral System Design ( 29/04/2025 )

    For the Bilateral system, sir sad I should not make the text be too curve and reduce the patterns as it looses its fomality and standardise shape.

    Final Outcome :
    Figure 27.2, Edited Bilateral System Design ( 29/04/2025 )

    Final Work Submission Task 1 :

    JPEG :
    Figure 28.1, Final Axial System Design ( 29/04/2025 )

    Figure 28.2, Final Radial System Design ( 29/04/2025 )

    Figure 28.3, Final Dilatational System Design ( 29/04/2025 )

    Figure 28.4, Final Random System Design ( 29/04/2025 )

    Figure 28.5, Final Grid System Design ( 29/04/2025 )

    Figure 28.6, Final Transitional System Design ( 29/04/2025 )

    Figure 28.7, Final Modular System Design ( 29/04/2025 )

    Figure 28.7, Final Bilateral System Design ( 29/04/2025 )

    Figure 28.8, Final 8 Design Systems, JPEG ( 29/04/2025 )


    PDF :
    Figure 29.1, Final 8 Design Systems, PDF ( 29/04/2025 )

    PDF (GRID) :
    Figure 29.2, Final 8 Design Systems, PDF(Grid) ( 29/04/2025 )

    Task 2

    Exercises (20%)

    The exercises are as follows: 

    (Part 2) - Type & Play Part 1 & 2 (2 Week) 

    (Week 2)

    Task 1 / Part 2: Type & Play : Finding Type

    For this task, we had to select an image of a man-made object or something from nature. (Human, landscape, leaf, plant, bush, clouds, hill, river, etc).

    After that, we had to analyse, dissect and identify potential letterforms within the image. The forms would be explored and ultimately digitized. We had to minimum create 5 different letterforms extracted from the image.

    Image Chosen : 
    Figure 30.1, Picture Chose ( 29/04/2025 )

    I first tried finding the letters using Procreate, I lowered the opacity of the image to get a clearer view.

    Figure 30.2, Picture Chose with Letter Tracing ( 29/04/2025 )

    Next, I transferred the image to Illustrator to began tracing the letters using the pen tool and got his result

    Figure 30.3, Letter Traced on Selected Picture ( 29/04/2025 )

    Next sir wanted to us to come up with a presentation board showing the development of our font in making.

    Figure 30.4, Compiled Process Board ( 29/04/2025 )

    (Week 3)

    Task 1 / Part 2: Type & Play : Finding Type

    After getting feedback, sir told me he preferred my earlier development of my font and I should find a way to standardised the curves of my font to have a clean look. I decided to focus on a letter and trace it's curve and standardised that line for each letter. I told and showed sir my first letter and he said I finally got it.

    Figure 31.1, Different Lines of design to Chose From ( 06/05/2025 )

    Figure 31.2, Final Font Created ( 06/05/2025 )

    I decided to go with option A as it shows my image more.

    Poster

    After settling with a font I decided to start doing my poster. I first browsed through the Internet to get some inspirations

    I took great inspiration in this movie poster as it incorporates the element with the image :

    Figure 32.1, The Beekeeper Movie Poster, Reference Poster 1 ( 06/05/2025 )

    Figure 32.2, The Last Samurai Warrior Movie Poster, Reference Poster 2 ( 06/05/2025 )

    I took inspiration from this picture of water splashing and wanted to create an effect where you can see the font being hit by water.

    Figure 33.1, Picture of a Splash of Water, Reference Image ( 06/05/2025 )

    First I traced the splash using the pen tool and then inflated it for it to have volume and so that I can adjust it's lighting and transparency. I had trouble choosing how thick I wanted the water droplet but eventually choosing the less thick one to get a more realistic water effect.

    Figure 33.2, Recreation of The Splash using Pen Tool ( 06/05/2025 )

    The process of creating this poster's graphic went like this :

    Figure 33.3, Process of Creating Poster Graphic, Effect on Water on top of Words ( 06/05/2025 )

    1. Create the water splash using the pen tool and add texture to it.
    2. Put on a low opacity font below the splash.
    3. Put on the full opacity font with same size on top.
    4.For now, put the above layers opacity low to erase the parts where the splash does'nt touch
    5. Reduce erasers size to be more precise
    6. Change it back to it's full opacity.

    Results :

    Figure 33.4,Final Result of Effect ( 06/05/2025 )

    Finally it was time to create logo's for the poster.
    Figure 34 ,Recreation of Movie Poster's Logos ( 06/05/2025 )

    I used the clipping mask tool to separated the logos to delete the white background and also change it's colour.

    I wanted achieve a hierarchy look to the poster and decided to go with a triangle shape.

    Figure 35 ,Logo Placed at the Bottom ( 06/05/2025 )

    Final Work Submission Task 1 Part 2 :

    Figure 36.1 ,Image and Extraction, Week 3 ( 06/05/2025 )

    Figure 36.2 ,Overall Process, Week 3 ( 06/05/2025 )

    Figure 36.3 ,Extracted Letterforms, Week 3 ( 06/05/2025 )

    Figure 36.4 ,Reference Font, Week 3 ( 06/05/2025 )

    Figure 36.5 ,Final Letterform , Week 3 ( 06/05/2025 )

    Figure 36.6 ,Original extraction (top) and final letterform (bottom), Week 3 ( 06/05/2025 )

    Figure 36.7 ,Letter Created from Final Letterform
    comparison, Week 3 ( 06/05/2025 )
     

    JPEG :

    Figure 37.1 ,Final Movie Poster, (PDF) ( 06/05/2025 )



    PDF :

    Figure 37.2 ,Final Movie Poster, (PDF) ( 06/05/2025 )


    Feedback

    Week 1: 

    General : Mr.Vinood clarified the instructions given in Microsoft Teams and went through the Module Information.  He mentioned the do's and don'ts in what to do in our E-Blog. He asked us to not have any pictures that are not described and to always use 'figure' to number our pictures. He also made it clear about how plagiarism will bring your grades down to an F. He showed us examples of previous student's e-blog to show us the wrk expected on us and how important it is to give descriptions on our journey through out the class. Next, Mr.Vinood also brief us on our task 1 and answered questions on it.

    Week 2: 

    General : He mentioned that a modular system should always maintain a consistent unit size. The key factors include adhering to the system’s guidelines, ensuring readability, and keeping the margins clear. Column intervals must be present in the grid system, and all information should be aligned with a prominent element. Then, he briefed us on exercise 2 and told us what needed to be done before next week. Lastly, Mr.Vinood gave us a 15 minute talk on the importance of feedback, independency in design, importance of taking risk and how not to cling to getting a specific goal.

    Week 3: 

    General : Mr. Vinood reminded us to update our feedback, and for those who haven’t done so yet, not to erase his comments. He approved my earlier concept and advised me to stick with it while ensuring consistency in the thickness and thinness of my font. I decided to standardize the design to maintain uniformity. Sir mentioned that I finally got it right.

    Week 4: 

    General : Sir reminded us agin on the importance of having a margin before starting our work. Readability is important when creating a design. Then, he gave us a brief talk on our task 2 and how it has something to do with ourself and we will be given more time to use for it. We have to make a mind map on ourself and then create a mood board of fonts we like. By next week come up with a few sketches of the font we want to make. He stated I did a good job on my final work


    Reflection

    Experience:

    Exercises 1 and 2 were engaging, opening new explorations. Lectures were insightful, introducing typographic systems and the captivating process of extracting letterforms. This showed how to infuse personality into letterforms to match the message, focusing on their connection to the image. These exercises deepened my typography appreciation. Feedback was rewarding. However, I need more exploration for creative growth and better results through more experimentation. I'll apply these lessons moving forward.

    Observations:

    Several key observations emerged during the completion of these initial exercises. The in-class feedback sessions were instrumental in facilitating learning and refinement, enabling the identification of errors through peer learning. A primary learning outcome from the first exercise was the foundational importance of margins in typographic layout. The second exercise highlighted the efficacy of identifying repetitive features and patterns within a source object as a strategy for consistent letterform development, with initial reliance on geometric shapes proving beneficial. I learned to give letterforms personality from object shapes. I need to step outside my comfort zone and trust my judgment, not just instructor preference. A critical pedagogical point emphasized by the instructor highlighted the importance of independent judgment and the application of acquired knowledge in the development of work, rather than solely adhering to perceived preferences. This underscores the necessity for increased confidence and autonomy in both the creation and revision of design work. Creativity requires taking risks.

    Findings:

    Mr. Vinod's lectures expanded my understanding of the exercises, introducing new materials and terms. This knowledge helps in forming clearer ideas. The integration of this information into the ideation process was found to be beneficial, providing a clearer conceptual foundation for addressing specific task requirements.


    Further Reading :

    Figure 38 ,"Finding Type" by Mr. Vinod Nair (2023), Week 2 ( 29/04/2025 )

    https://kreatifbeats.com/2023/08/06/finding-type-a-novel-typographic-exercise/

    The article "Finding Type: A Novel Typographic Exercise" by Vinod Nair on Kreatif Beats introduces an engaging typographic project designed to enhance students observational and design skillsThe exercise encourages students to create typefaces inspired by real-world imagery, fostering a deeper understanding of form and context.

    Key Steps in the Process

    1. Image Selection: Students begin by choosing an image with strong, consistent characteristics, preferably featuring repetitive or similar elements.

    2. Observation and Analysis: They analyze the chosen image to identify unique shapes, patterns, and forms that can inform typographic design.

    3. Sketching and Development: Based on their observations, students sketch letterforms, translating visual elements from the image into typographic features.

    4. Refinement: The initial sketches are refined, focusing on consistency, legibility, and the integration of the image's characteristics into the typeface.

    Value of this Exercise

    • Enhancing Visual Literacy: By translating visual elements into typographic forms, students develop a keen eye for detail and design.

    • Encouraging Creativity: The project pushes students to think creatively, finding inspiration in everyday visuals.

    • Understanding Context: It emphasizes the importance of context in design, showing how environment and imagery can influence typographic choices.


    Figure 39 , Perfect Typeface Combinations' Tony Seddon,( 29/04/2025 )

    I'm glad I've read this book after reading a few chapters. This book explains how to blend various types to create a specific look or mood. The author demonstrates why certain typefaces complement one another while others don't. The significance of hierarchy in typography is among the key lessons I learned from this book. "Hierarchy introduces levels within text" (Seddon, 2015). Additionally, I discovered that using fonts and types with varying weights makes it easier for readers to browse the entire layout.

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